Tuesday, October 04, 2011
There are times when you wish it would rise higher, just an inch or two, where it will pop like a geyser and spew heat all over your skin, wetting your skin, releasing you from your skin that is stuck in this place like a poltergeist with nowhere to rest.
This is what sadness feels like.
I wait in a field of blond grass, taller and wispier than I, yet just as fragile. With the grass, I stand and sway, listening to something on the horizon. It is low, but there is danger in the rumbling. I hear it getting closer, louder, the sound of it developing ominous tones, deep with bass. I cannot see it, but I know that it is black. I know that it is black, and I know that it is hot, and I know that I will not be able to outrun it and so I don’t even try.
As it comes, I stand still, outwardly and unto myself. There is nowhere to look but inside, and so I shut my eyes and contemplate my final destruction.
The heat is closer now; there is a wind blowing toward me, flagellating me with the grass that is my flimsy shield and camouflage. My skin is cut and bleeding. Still, I stand, unmoved and unmoving but for the quickening of my pulse as I steel my soul for what is about to consume me.
That is what rage feels like.
Run the sharp edge of a knife along smooth, almond-colored skin and watch it burst open, revealing hues of ivory and ruby. Listen to sighs of ecstasy, of delight, of finally feeling a feeling that is so horrific, so painful, as to not be ignored.
To bleed. This is what relief feels like.
Friday, October 29, 2010
She is my hero.
She doesn't write songs; she writes public service announcements. Did you know that 2 + 2 is not actually 4 but vagina? Actually, 2 + 2 is vagina, vagina and vagina. The sum of two twos is also vagina and "pinis", which means that one pinis equals two vaginas, which may or may not be an argument against monogamy. Queen of Vagina is deep, man.
Q of V's songs/PSAs typically last about three minutes and are astoundingly effective. She keeps 'em simple: no more than three parts, the message of each segment repeated rhythmically until it is hammered so deeply into all three layers of your psyche that you will not forget it, no matter how hard you try. Listen to her, I dare you. Queen of Vagina is like crystal meth: all it takes is once. I entered what I now see is a lifetime contract innocently, and now, no matter what I'm doing, no matter who I'm talking to, whatever song I'm listening to on my iPod, Queen of Vagina is there, wailing, "Vaja, vaja, vaja, vagina o-oo-o-o! Vaja, vaja, vaja, vagina eh-eeh-eh-eh!"
I like that she keeps it clean, in her own way, for the most part. She doesn't cheapen her privates by referring to them in feline terms. And even though she is very clear on the fact that she doesn't even respect men, who are "very stupid", she obviously accords much respect to their genitalia, which she sometimes refers to by its formal name, "John Tomos."
I fear I'm growing too attached. As she is currently my only source of true and complete joy, I've begun to study her, trying to find out (or make up) her story. I want to know: do her shoes match her earrings or her eyeshadow? Does she own a MacBook? Does she really bark out orders like, "Give it to me, baby!" when she's doing John Tomoses "until they are knackered"? And is that person in the cap-and-gown on the wall photo behind her the self she used to be before she became the Queen of Vagina too few of us know and love? So many questions....
I'm going to wear a blonde wig, tight red tee, denim jacket and shiny, purple hot pants for Halloween this year. Some people will call that my costume. I think it'll be the banana peel on my slide into Nigeria-induced mental instability, kinda like the Ted Levine character in Silence of the Lambs who skinned women to make himself a body suit. I promise to take loads of pictures and paste them all over my room.
Wednesday, October 06, 2010
But there are times when I concede to the razz, the local champions, the akpu nwas, that they may be right after all. That no matter how much gari I have soaked, no matter how hard I had to scrounge for kulikuli, these are not the things that make me a pako. Food is not the great equalizer in Nigeria; the perpetuity of generational hardship is. No matter how much a wealthy man loves to eat akpu, he and his gardener will not eat from the same plate, or even at the same table. And we do all eat the same things; yet rich and poor are divided by how much meat they can afford to put in their stews. There will always be a way to separate the 'us' from the 'them' in Nigeria, whatever the context.
And now I can't believe I went my whole life without ever eating ofada rice. When I discovered mama-put jollof, I honestly believed it was the final frontier. The smoky flavor and aroma, the individual grains dancing a spicy tango on the tongue, getting intimate with your tastebuds. There was nothing like mama-put jollof, also fondly referred to as party rice. But now there is ofada. After one plateful, I converted and never looked back. Today, I am passionate about ofada rice. I eat ofada rice with my eyes closed, leaving my left hand free to caress my throat, chest and stomach as this deliciousness travels to my gastric cavity. I don't know what it is that makes me feel so...satisfied. Perhaps it is the rice grain itself. Not content to resemble its tame, ivory-tinted cousins from Asia and the Americas, ofada wears a brown-flecked coat. This gives it character. Like the plastic spoon in the mouth of pako newborns, ofada grains are rough around the edges and create a mild, popping sensation around the gums while one chews.
Or maybe it is the stew. If only I knew how to make ofada stew. The ubiquitous tomato and tatase paste of all our stews is fried to within a hair's breadth of utility in palm oil then flavored with stockfish, pomo and MSG. Pomo: that emptiest of nutritious foods, yet so much fun to eat. Someone had the brilliant idea to cut pomo into tiny cubes when making ofada stew. It was probably to stretch the availability of the "meat", to disguise the fact that there wasn't much to make this cheap meal properly attractive. (After all, what is food in Nigeria without meat? A mere waste, a whiling away of one's life until real food makes its appearance, preferably bleating, crowing or mooing on its way to slaughter.) Whatever the case, one man's deception is my happy time. I love tiny cubes of pomo. When I bite into a cube, unexpectedly, as I savor ofada rice behind closed eyes, it's like eating caviar. It's like finally being able to soak gari with kulikuli. It's like eating February 29th: oh my goodness! Is it you? Here? Oh...and just like that, you've gone but, I know, you shall return.
The rice and stew are served on a banana leaf, for reasons unbeknowst to me, but since this leaf is usually the only green that appears on the plate - inedible or not - I welcome its verdancy, the way it complements the brown-red stew. My mouth is watering. The first and only time I tossed this delightful culinary creation, rice on stew on rice, I had no idea what to expect. I was just hungry. Hungry and visiting Henrietta (not her real name) whose chef I will now worship forever and ever. Henrietta felt like cooking and offered to make me grilled salmon and roast potatoes. If I were any less hungry, I might have agreed. But now I am grateful to whichever spirit it was which told me to resist the lure of exotic foods in Nigeria and just eat whatever I could smell coming from the kitchen (which only smelled hot and fresh, not great. Ofada, like most other African meals, promises far less than it delivers. If we Africans judged food by its smell, we would never cook).
I'm in Europe now, in a large city where food from all over the world is never more than a bus ride away and always available at reasonable prices. But all I want is Henrietta's chef to make me ofada rice. I want to scrape up the last few grains of rice from the bottom of my plate, destroying part of the ceramic design, before helping myself shamelessly to a second helping I know I have no business eating. I want to eat alone, so that I can moan euphorically as I chew, without raising eyebrows. But I cannot: there is no ofada here. (Or is there?)
Tuesday, September 21, 2010
Nigerians are very good people.
And never better than when they are dealing with non-Nigerians. It is more or less common knowledge that a Nigerian will bend over backwards (or in most cases, forwards, holding his ankles and willing his butt cheeks to spread) to please a foreigner in our country, shunning all other culturally acceptable practices and even self-respect in order to fulfill the every wish of this visitor to his fatherland.
I haven’t quite determined whether my people do this simply because they want something huge in return and don’t know how else to ask for it, or if they are just natural doormats and can’t help themselves. Whatever the case, the good Lord finally saw me fit to experience a firsthand taste of this brand of obsequiousness.
It was a cool evening in Abuja and I was planning an all-nighter, so I ventured to a coffee shop to purchase a latte (which was surprisingly good. Thank you, enterprising Lebanese people, for introducing this delicious, frothy, steamy beverage to our society). When I walked up to the counter to order my drink, I absently and automatically did something my fellow expats will relate to: I used my formal accent.
If you’re an African who has ever lived abroad, you already know what this means. But for those who may not understand, I shall explain. The African is known for possessing a most unique accent, usually comprised of deep, bass notes, lilting intonations, colorful vernacular. When we speak, we mesmerize (or perhaps, stupefy) foreign listeners, who realize they have never heard English (or French or Spanish or…) spoken quite like this before. Indeed, it sounds so strange to them, they hardly recognize these languages for what they are.
Therefore, in order to accommodate our Western hosts in their native countries, several of us have chosen to adopt a speaking style that mimics theirs, so they will not have to strain their ears and brains in order to engage in simple communications with us. We practice these speech patterns for months, years, imbibing them like smooth whisky, so that we may order our drinks and pick up our prescriptions in peace.
Some, like me, are more fortunate than others: attending school with Americans and Britons since we were children, the accent comes naturally to us. We roll our r’s like experts; when we say innit, additional consonants don’t pop up randomly to turn the word into hinni. In short, we blend in. At least, phonetically. Which is why, when we adopt these foreign speech patterns, Nigerians say we are “speaking foneh [faw-NEH].”
Initially, for me, the need to speak foneh only arose in formal situations, which was usually the only time there was a white person in the room. Over time, this formal accent became my polite accent became the way I spoke when I wasn’t yet comfortable with who I was speaking to, white, black, Asian, Arab….whatever. And now, it just pops out whenever it feels like it, and I’ve stopped trying to figure out why. This is what happened this day, when I opened my mouth to order a latte at this coffee shop somewhere in Abuja, and discovered that, to Nigerians, foneh is the gateway to heaven.
Ah! Foreigners enjoy Nigeria sha. I will never know what it was about the way I ordered this latte, but the lady who took my order was clearly impressed. Her eyes lit up and she leaned in towards me over the counter, soaking in my every word. She smiled at me, and was very attentive, trying to make sure that I received everything I wanted, that I received it promptly and that I would have no complaints about my service. I had to reassure her repeatedly that I was certain I didn’t require anything but a simple latte, no, not a delectable pastry, not even of the caramel variety; no, not extra foam in my milk. When I paid, I gave my money to another attendant, but the order taker traveled the length of the counter to ensure that my change and receipt were handled to me with care and a smile. I have never been wished a good evening by so many Nigerian staff in one shot.
I walked out of the store, high on life and feeling momentarily like a human being until a scruffy-looking policeman stopped me at a checkpoint, gruffly ordering me to “Stop there!” and put on my inner light, reminding me that I am merely Nigerian after all. There was no time to pull out my new secret weapon; I could tell from his red eyes that he wasn’t the sort of man you refer to as ‘officer’ – a man that high should only be called ‘sah’, and preferably with some groveling involved.
The preferential treatment is obviously not right or fair, but I must admit I was ever-so-slightly heartened to discover that my people’s biases have nothing to do with race, which is all I’ve contended with since I moved to America. Here, what separates the wheat from the chaff is money. Money by all its names: ego, owo, cheddar, bread…it spins Nigeria on whatever skewed axis we happen to be on. But for all our faults, it appears anyone can get a chance to hop on that ride.
My lady at the coffee shop has seemingly realized that gone are the days when only non-Nigerians could be considered wealthy – now you never know who is going to help move you up that social ladder. So best to be kind, at least to anyone who sounds like they’ve been where you want to go. Of course, I look forward to the day when I can expect good service just as a matter of principle, but until then, I’m using my cheat sheet: foneh all day, baby!
Sunday, September 27, 2009
there is more than one way to fall in love.
we kissed at a new year's eve party. drunk, i repeatedly threatened to strip for the crowd. it was the new millennium and public nudity was the only frontier left to cross in the asinine clamor for popularity or, at the very least, renown. he stopped me. his firm, gentle hands grasped my wrists at my waist and when i struggled in protest, he drew me close to him and held me there. i realized for the first time that he smelled at once like the small white flowers that grew in my mother's garden and the tobacco that lingered in the fibers of my father's shirts. i wondered what he would taste like.
because i was suddenly still, he could feel my heart beat a little quicker. were i more sober, i might have felt his. but the heat is what i remember: hot breath against my ear and right shoulder, hot chest warming mine. our groins touched first, and then our lips. his lips were warm, supple. i think he was surprised to find that mine melted against his: he gasped a little. perhaps he was shocked to find that i was returning his kiss. i was actually returning his kiss. and the room - to us - was silent.
the courtship, like what came before, was perfect. nothing changed, but the discovery that we could extend our playfulness into another realm: the sexual. spoken communication transformed itself into a kinetic energy that transcended intellectual understanding. we knew each other. we came to know each other well. when he walked in a room, my hairs stood at attention. my breasts did too. our favorite thing to do was kiss each other goodbye when he left for morning. exhilaration was finding a reason to walk with him to the station, ride with him on the train, and kiss again just before one of us darted out between the closing doors.
our mothers watched us from afar, amused. they had seen the inevitable, and for reasons best known to them, embraced it. they themselves had a bond. neighbors, friends, then sisters, they related through a mutual dissatisfaction with their respective marriages. and yet they wanted us to marry. i remember with sharp clarity - abnormal, for me - the day his mother drew me into her kitchen to ask when i would be ready to join their family. i laughed: the thought had crossed my mind, but surely she understood that it was not a choice for me to make. because i was honest, and because she preferred me that way, i told her to address her questions to her son. i'm not sure if she ever did.
time went on, rosily, and our comfort grew. i had eyes for no one else; he spoke daily of his devotion to me. we should have known.
we made love one night, and it was spectacular. twitching and convulsing after what we had managed to do to one another, we fell asleep in each other's arms, assuming it was a night like any other. but it wasn't. that night, our firstborn was conceived. oblivious, we continued to enjoy each other as always: lazy weekend days strolling through museums, nights at comedy clubs on the strip. one night we went dancing, and drank until we could barely see. groping each other in the darkness, before we fell into bed, he commented on how beautiful my breasts were and proceeded to devour them in ecstasy. the next morning, he looked at me thoughtfully as i slept, then got ready for work, still pensive.
i was cooking when he came home. as his key turned in the lock, i ran to meet him with my usual kiss...but his face was different. i kissed him anyway. but i frowned. he took me by the hand and led me to the bathroom, gave me a brown paper bag. i opened it: there was a pregnancy test in it.
i said, you can't be serious.
i just want to know for sure, he returned, in his usual calm way.
there was only one stick. downstairs, the chili i was making for his favorite meal, dirty rice, was coming to boil. because i didn't want to argue, and because i was secretly also afraid he was right to worry, i drew down my underwear and peed as he watched.
one line. then two. positive.
rubbish, i said. but he was already stroking his chin, which he always did to delay panic. we'll just run to the corner shop and get another one, i said. my tone was clipped, matter-of-fact, trying to convince myself as much as him. we were 23 years old, old enough to take care of a child, yes. but entirely too selfish to want to. he went back to the store, i returned to the kitchen and turned off the range. there was no telling when our appetites would return. i drank one tall glass of water, then another.
when he returned, he brought a double-pack and i peed on both tests. pregnant. and pregnant.
i don't know why, but i started to cry. irritated, he snapped at me: is that how you're going to react? how can that be how you react? were i less dazed, i might have returned his insensitivity with a withering look, a slap on the cheek (we fought and made love the same: with passion). instead, i fought to control my tears but could only manage to wipe each one away as it fell. and try as he might, he could not hide his disdain. i'm sorry...i'm sorry, is all i said. all i could say.
he walked out, leaving me to pull myself together, alone. he thought i was stronger than this, this weepy person who could not react sensibly nor help him make sense of an unexpected situation. it was the first time since our love affair began that we didn't feel a part of one another. it was the first time he had left me.
the words come to me slowly. i have been out of practice.
these fingers: they move more quickly than before, but clumsily. i do not remember you as i once did.
this is our last hurrah.
soon it will be the last time.
i have fallen for another.
three years we have known each other.
you have brought songs out of me, poetry. stories.
of discomfort. soreness.
the tale is complete.
and now your turn has come.
discarded onto a heap of electronic garbage, perhaps.
pulled apart by the deft fingers of the impoverished,
experts at discovering hidden value.
exploited for needing and knowing so little.
or handed down to one more needy, also lacking,
though more privileged in many ways.
distant cousin, learning you in a ghanaian village.
you are magic.
but your sparkle has dissipated.
it is time to move on.
but for now
to tell the story of a closing chapter.
of romance that bloomed only to disappear sharply into a void of 'once-was'.
i am grateful.
of misery that tugged and pulled at itself until it discovered the hard seed of self-fulfillment.
my eyes have been opened.
of friendships, both quick and long-lasting.
i will cherish them. all of them.
of that which is new and will continue to reveal itself.
i will explore.
i have explored.
there is much to offer, and you have shown me this.
at once a tool and confidante,
you have served me well.
i bid you adieu.
Sunday, September 13, 2009
Now all that remains is the wretched sting of knowing that there is no one who is obligated to care what I am doing this quiet, quiet, unending moment.
Sunday, July 05, 2009
he turns heavily, and in his sleep, his lips search for me, to kiss the first stretch of brown they find: a shoulder or its blade, the apple of my cheek. in these moments, i quietly enjoy being the center of his world. were he awake, i would swat him away and roll my eyes. but here, when i know i'm too far away, i nudge myself closer, hoping he will throw an arm around me or encircle me with his legs.
when i am sated, i will free myself from the custard-and-ivory tangle of sheets to lounge on the sofa and do a few crosswords, my newest obsession. or i will make myself a bowl of bran cereal with sliced bananas and only the smallest sprinkle of pure cane sugar, and read soyinka, levy, saro-wiwa or lahiri. i will not be wholly in the moment. i will be waiting for him to wake up.
if i am impatient, i will wash my bowl noisily, as the kitchenette sits but three feet away from my bed. he knows what i'm doing and i catch him smiling, eyes still shut. even in sleep, his eyes are beautiful. i am envious of his eyelashes, which are thick and dark and rest too close to his cheekbones when he blinks, but i'm grateful that i can look into them every day, where they frame a profound love for all that i am.
we play "whose breath smells more like manure?" for the umpteenth time, and though he always wins, he also leaves the bed with welts and scratches on his body, proof of my indignation at being pinned down while he tortures me, seemingly without end.
now we shower, now we change. the temptation to just sit and watch television in our underwear is strong, but we resist: it's the fourth of july and all sorts of american traditions await. he wants wings and beer; i want a burger and mojitos. we fight over lunch about how much of elvis's act was 'borrowed' from african american culture and, in anger, i stalk off and abandon him at the table. by the time i get to the door, i instantly regret my action, but i'm part leo and have committed to the drama. thankfully, he calls and tells me to stop walking - he's coming to get me so we can continue to enjoy our day as planned.
as the car pulls up, i fight the grin threatening to rend my face apart. i'm trying so hard not to meet his eyes, which i know will be laughing at me, forcing me to laugh back. in the end, i have no choice: he pokes me in the neck, and i have to turn to retaliate. inevitably, i break into a fit of laughter and lose my third fight that day.
much of the day is lost as we drive from one spot to another, in search of anything interesting but atypical to participate in, finding nothing. not that it matters: we have each other.
in the end, we find MF and his beautiful KR on a dark rooftop with belgian beer and an assortment of cheeses, encircled by the exuberance of a capital city celebrating 233 years of national independence, if not freedom. 360 degrees of explosive lights and sulfur: the national monument stood as always in phallic erection, its own fireworks more splendid and enormous than the rest of the city's combined. the climax was impressive. partly in jest and for my american comrades, i belted out a pitchy rendition of the star spangled banner. MF and KR, unable to withstand the poetry, kissed repeatedly. i avoided CB's amorous looks, but let him hold me from behind. pda embarasses me.
the night was full of ladders. we climbed one to get atop MF's roof. then we took a taxi a few blocks to scale another. it was splendid. fifty, sixty people spread into the night, tamping the tar roof sheets of their neighbors unknown, drinking (yet more) oaky wines and vinegar-and-malt beers. exotic elixir of the night. we could barely see each others' faces; the sky lit up only briefly and sporadically, as more roman candles exploded above us, showering us with fiery bullets and ashy debris. i knew but two guests, but felt peaceful, at home. their stories kept me amused for hours.
it was over for us too soon. we left at midnight, as the call of duty grew louder and we could no longer ignore the imperativeness of a good night's sleep, lest the next day be spent between my cotton sheets at someone else's expense. CB could barely find the energy to undress before he collapsed on the mattress, falling asleep almost instantly. as i always do, i turned off the light and slid in beside him, traced the waves in his soft, soft hair with my right index finger. my eyes were heavy, but before i succumbed to sleep, i succumbed to my obsessesion: the NYT crossword, a classic from january 16, 1998. early sunday morning, i fell asleep on the uncompleted friday grid, after his arm found its way to me and began to stroke the skin above my navel.